{"id":4649,"date":"2025-11-27T17:04:44","date_gmt":"2025-11-27T17:04:44","guid":{"rendered":"https:\/\/maissilva.com\/?p=4649"},"modified":"2025-12-19T14:58:58","modified_gmt":"2025-12-19T14:58:58","slug":"palinopsia","status":"publish","type":"post","link":"https:\/\/maissilva.com\/en\/2025\/11\/27\/palinopsia\/","title":{"rendered":"Palinopsia"},"content":{"rendered":"
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Palinopsia<\/em><\/h2>\n\n\n\n
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Numa era digitalizada, o fluxo intermin\u00e1vel de imagens armazenadas na nuvem preenche as lacunas daquilo que poderia ser esquecido. Nos seus projetos anteriores, Michaela Putz lidou com estas implica\u00e7\u00f5es da tecnologia, do armazenamento virtual de imagens e da mem\u00f3ria. O pr\u00f3prio arquivo de imagens da artista, de diferentes fases da sua vida, armazenado no computador e no smartphone, serve como mat\u00e9ria-prima para este trabalho.

Numa esp\u00e9cie de retrospetiva digital, estas imagens s\u00e3o fotografadas e documentadas diretamente do ecr\u00e3, registando tamb\u00e9m impress\u00f5es digitais e vest\u00edgios de p\u00f3, bem como o ponteiro do rato e os artefactos digitais criados ao aproximar as imagens. Por vezes, s\u00e3o retocadas digitalmente e esfregadas; outras vezes, foram fotografadas v\u00e1rias vezes com a c\u00e2mara do smartphone, tornando-as pixelizadas e dissolvendo ligeiramente a imagem original.

Desta forma, as obras procuram explorar visualmente as lacunas entre a mem\u00f3ria humana e digital, aproximando as imagens digitais, compostas por dados brutos, da efemeridade e da imprecis\u00e3o da mem\u00f3ria humana. Publicar um livro com estas imagens n\u00e3o s\u00f3 estabelece uma liga\u00e7\u00e3o entre elas, como tamb\u00e9m convida \u00e0 reflex\u00e3o sobre a forma como lidamos com material de imagem anal\u00f3gico e digital. Embora as imagens digitais pare\u00e7am apenas dados, s\u00e3o constantemente tocadas: apagamos e deslizamos, ampliamos e tocamos nelas atrav\u00e9s do ecr\u00e3. O livro procura considerar estas diferentes qualidades e conectar os processos digitais e anal\u00f3gicos de observa\u00e7\u00e3o de imagens do nosso passado.

Autor:<\/strong> Michaela Putz
Edi\u00e7\u00e3o e Sequencia\u00e7\u00e3o:<\/strong> Michaela Putz, Tiago Casanova, Pedro Guimar\u00e3es
Design:<\/strong> Tiago Casanova
Texto:<\/strong> Fabian Knierim
Tradu\u00e7\u00e3o e Revis\u00e3o:<\/strong> Georg Bauer
Pr\u00e9-impress\u00e3o:<\/strong> Pedro Guimar\u00e3es
Impress\u00e3o:<\/strong> Gr\u00e1fica Maiadouro

2021, XYZ Books, Primeira edi\u00e7\u00e3o
64 p\u00e1ginas, 24 \u00d7 16 cm, Capa Hologr\u00e1fica, Impress\u00e3o Offset
ISBN: 978-989-53182-1-6

Tornou-se poss\u00edvel gra\u00e7as ao generoso apoio de: Bundesministerium \u2013 Kunst, Kultur, \u00f6ffentlicher Dienst und Sport, Embaixada da \u00c1ustria em Lisboa, Bildrecht, Kulturland Burgenland, Energie Burgenland
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In a digitalized age, the endless stream of images stored in the cloud fills the gaps of what might be forgotten. In her past projects, Michaela Putz was dealing with these implications of technology and virtual image storage and remembrance. The artist’s own image archive from different phases of her life, stored on computer and smartphone, serves as the raw material for this. In a kind of digital retrospect, these are photographed and documented directly from the screen, whereby fingerprints and remains of dust on them are also recorded, as well as the mouse pointer and digital artifacts that are created by zooming into the images. Sometimes, they are digitally retouched and smudged, other times, they have been taken several times with the camera of the smartphone, making them pixelated, slightly dissolving the original image. By this, the works aim to visually sound out the gaps between human and digital memory, bringing the digital images consisting of raw data closer to the ephemerality and imprecision of human memory. Doing a publication with these images not only draws a connection between them but also to think about the way we deal with analog and digital image material. Even though digital images seem to be only data, they are constantly being touched: We are wiping and swiping, zooming and tapping on them through the screen. The book tries to take into account these different qualities and connecting the digital and analog processes of looking at images from our past. <\/em><\/p>\n\n\n\n

Author:<\/strong> Michaela Putz
Editing and Sequencing:<\/strong> Michaela Putz, Tiago Casanova, Pedro Guimar\u00e3es
Design:<\/strong> Tiago Casanova
Text:<\/strong> Fabian Knierim
Translation & Proofreading:<\/strong> Georg Bauer
Prepress:<\/strong> Pedro Guimar\u00e3e
Printing:<\/strong> Gr\u00e1fica Maiadouro<\/em><\/p>\n\n\n\n

2021, XYZ Books, First edition
64 pages, 24 x 16 cm, Holographic Cover, Offset Print
ISBN: 978-989-53182-1-6<\/em><\/p>\n\n\n\n

Made possible with the kind support from: Bundesministerium – Kunst, Kultur, \u00f6ffentlicher Dienst und Sport, Austrian Embassy Lisbon, Bildrecht, Kulturland Burgenland, Energie Burgenland<\/em><\/p>\n\n\n\n

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