{"id":423,"date":"2025-03-05T15:51:02","date_gmt":"2025-03-05T15:51:02","guid":{"rendered":"https:\/\/maissilva.com\/?page_id=423"},"modified":"2026-06-16T00:36:08","modified_gmt":"2026-06-15T23:36:08","slug":"exposicoes","status":"publish","type":"page","link":"https:\/\/maissilva.com\/en\/exposicoes\/","title":{"rendered":"EXHIBITIONS"},"content":{"rendered":"

EXHIBITIONS<\/p>\n\n\n\n

\n
\n
\n

TIAGO MADALENO<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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No Pesco\u00e7o do Cisne<\/a><\/p>\n<\/div>\n\n\n\n

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13.06\u201408.08.2026<\/a><\/p>\n<\/div>\n\n\n\n

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ROOM 1 and 2<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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\n
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ANDR\u00c9 PR\u00cdNCIPE<\/p>\n<\/div>\n<\/div>\n\n\n\n

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TBA<\/p>\n<\/div>\n\n\n\n

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12.09\u201424.10.2026<\/p>\n<\/div>\n\n\n\n

\n

ROOM 1 and 2<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\n
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PEDRO MOREIRA<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Stash<\/p>\n<\/div>\n\n\n\n

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7.11\u201419.12.2026<\/p>\n<\/div>\n\n\n\n

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ROOM 1 and 2<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
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MIGUEL \u00c2NGELO MARQUES<\/p>\n<\/div>\n<\/div>\n\n\n\n

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TBA<\/p>\n<\/div>\n\n\n\n

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7.11\u201419.12.2026<\/p>\n<\/div>\n\n\n\n

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ROOM 3<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\n
\n

VIRG\u00cdNIA MOTA<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n

A cortina de Lacan<\/p>\n<\/div>\n\n\n\n

\n

09.01\u201427.02.2027<\/p>\n<\/div>\n\n\n\n

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ROOM 1 and 2<\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n

ARCHIVE<\/p>\n\n\n\n

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\n
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JULIANA CAMPOS, FRANCISCO PEDRO OLIVEIRA<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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ARCO Lisboa<\/a><\/p>\n<\/div>\n\n\n\n

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28.05\u201431.05.2026<\/a><\/p>\n<\/div>\n\n\n\n

\n

G03<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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\n
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PEDRO FRAN\u00c7A<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Aos montes<\/a><\/p>\n<\/div>\n\n\n\n

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21.03\u201423.05.2026<\/a><\/p>\n<\/div>\n\n\n\n

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ROOM 1, 2 and 3<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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\n
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DALILA GON\u00c7ALVES, FERNANDO MARQUES PENTEADO<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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ARCO Madrid<\/a><\/p>\n<\/div>\n\n\n\n

\n

04.03\u201408.03.2026<\/a><\/p>\n<\/div>\n\n\n\n

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GENERAL SECTION, 9A 09<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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\n
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ELISA AZEVEDO<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Daydream<\/a><\/p>\n<\/div>\n\n\n\n

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10.01\u201428.02.2026<\/a><\/p>\n<\/div>\n\n\n\n

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SALA 1<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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\n
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R\u00daBEN FERNANDES<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n

Chandelier POV<\/a><\/p>\n<\/div>\n\n\n\n

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10.01\u201428.02.2026<\/a><\/p>\n<\/div>\n\n\n\n

\n

ROOM 3<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\n

MIGUEL CARNEIRO<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n

Cobra Que Fuma N\u00e3o Ladra<\/a><\/p>\n<\/div>\n\n\n\n

\n

15.11\u201403.01.2026<\/a><\/p>\n<\/div>\n\n\n\n

\n

ROOM 1 and 2<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\n

B\u00c1RBARA FADEN<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n

Magn\u00f3lia<\/a><\/p>\n<\/div>\n\n\n\n

\n

13.09\u201401.11.2025<\/a><\/p>\n<\/div>\n\n\n\n

\n

ROOM 1, and 3<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\n

JULIANA CAMPOS<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n

Paisagem-fuga<\/a><\/p>\n<\/div>\n\n\n\n

\n

13.09\u201401.11.2025<\/a><\/p>\n<\/div>\n\n\n\n

\n

ROOM 2<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\n

<\/a>GROUP SHOW<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n

Ambar<\/a><\/p>\n<\/div>\n\n\n\n

\n

24.05\u201402.08.2025<\/a><\/p>\n<\/div>\n\n\n\n

\n

ROOM 1, 2 and 3<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\n

MATTIA DENISSE<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n

ARCO Lisboa<\/a><\/p>\n<\/div>\n\n\n\n

\n

29.05\u201401.06.2025<\/a><\/p>\n<\/div>\n\n\n\n

\n

GENERAL SECTION, G05<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\n

MATTIA DENISSE<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n

Recto Verso e Vice Versa<\/a><\/p>\n<\/div>\n\n\n\n

\n

22.02\u201410.05.2025<\/a><\/p>\n<\/div>\n\n\n\n

\n

ROOM 1 and 2<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n

<\/p>","protected":false},"excerpt":{"rendered":"

EXPOSI\u00c7\u00d5ES TIAGO MADALENO No Pesco\u00e7o do Cisne 13.06\u201408.08.2026 SALA 1 e 2 ANDR\u00c9 PR\u00cdNCIPE TBA 12.09\u201424.10.2026 SALA 1 e 2 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TIAGO MADALENO No Pesco\u00e7o do Cisne 13.06\u201408.08.2026 SALA 1 e 2 ANDR\u00c9 PR\u00cdNCIPE TBA 12.09\u201424.10.2026 SALA 1 e 2 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