{"id":3281,"date":"2025-09-23T13:07:21","date_gmt":"2025-09-23T12:07:21","guid":{"rendered":"https:\/\/maissilva.com\/?page_id=3281"},"modified":"2026-01-29T15:24:39","modified_gmt":"2026-01-29T15:24:39","slug":"juliana-campos-paisagem-fuga-13-09-31-10-2025-sala-2","status":"publish","type":"page","link":"https:\/\/maissilva.com\/en\/exposicoes\/juliana-campos-paisagem-fuga-13-09-31-10-2025-sala-2\/","title":{"rendered":"JULIANA CAMPOS, Paisagem-fuga | 13.09\u201431.10.2025 | SALA 2"},"content":{"rendered":"
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Paisagem-fuga<\/strong><\/span>
Paulo \u00c1vila<\/em><\/p>\n\n\n\n

Imagine a game, and, following the usual assumption that every game has a beginning, take, for example, a material: how does a piece of fabric come to be? First, there is a diagram \u2014 a network of simple lines and their relationships still suspended. Then, a mechanical process imitates it, laying down loosely woven fibers, fragile and exposed to the erosion of time. At first, there is the idea of rigor, a sense of discipline. Then comes the concrete fact, with all its immeasurable complexity. The game takes place in the in-between, when the plan itself becomes sensitive to the unpredictability of matter.<\/p>\n\n\n\n

When the game is reversed, the real spills into the abstraction of the scheme. The future eruption of a stain has already been dreamt in the diagram of a fabric. The apparent rigidity of the rule reveals the formula of its openness: it multiplies channels, weaves webs, anchors points \u2014 without fixing any destination. One day, the ink bursts through the weave, no longer confined by the rule. It yields to gravity, gathers in a damp patch, seeps along a crease, and covers the abstract monotony with sidereal tones. The outside floods the surface prepared by the rule. The stain bears witness to the fabric\u2019s being-in-the-world. The game awakens, rekindled by chance.<\/p>\n\n\n\n

With the same mechanical calling as the\nloom, the hand draws a pencil grid across\nthe fabric, restoring the diagram in vivid\nstrokes through a cartographic gesture. A new system of coordinates is established across the heterogeneous terrain, giving it structure, reinscribing chance into segments \u2014 each section, a recaptured landscape. The gesture that sets escape in motion is followed by one that crystallizes\nit. The rule absorbs chance, sketching the\nalternation of a breath. One could say that\nthe game breathes, that it has a life of its own\nand becomes pure movement. To inhabit the game is to uncover the gesture that sustains its breathing.<\/p>\n\n\n\n

The hand now cuts, on another plane, a series of identical windows. Guided by the rhythm of the grid, it lays the pierced plane over the fabric. The stain begins to fill each opening with its own instability. The repetition of the outline heightens the uneven vibration of the stain, like a window\ngenerating its own landscape. The entire plane is imbued with movement in a latent state. The gesture becomes cinematic, architectural, without leaving the surface. It animates the cut-outs like characters. It hints at depths, flickers, and shifts. It reveals while concealing imprecise phenomena, thickening the fabric of the game through the layering of its alternations.<\/p>\n\n\n\n

O jogo \u00e9 um rito de suspens\u00e3o. Desativa a imposi\u00e7\u00e3o na regra e faz dela uma m\u00e1quina de produzir desvios. Desvincula a repeti\u00e7\u00e3o da c\u00f3pia e converte-a em estrat\u00e9gia para convocar a diferen\u00e7a. A disciplina do jogo revela-se assim, como uma janela, um m\u00e9todo premeditado de aus\u00eancia. Segue dispondo vazios para a inscri\u00e7\u00e3o do mundo. Um dia, outro olhar percorre a arqueologia do jogo, indiferente \u00e0 ordem dos seus estratos, ignorando o que veio antes ou depois, maquinando a superf\u00edcie do jogo com as suas pr\u00f3prias imagens. O jogo liberta-se da m\u00e3o que faz e atravessa a dist\u00e2ncia irredut\u00edvel que a separa de outro olhar, abrindo a via do seu prolongamento indefinido. Por oposi\u00e7\u00e3o ao h\u00e1bito, que tende sempre para a fixa\u00e7\u00e3o do mundo, o fasc\u00ednio do jogo afirma-se pelo seu h\u00e1bil adiamento.<\/p>\n\n\n\n

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DESCARREGAR: FOLHA DE SALA
<\/a>DOWNLOAD: EXHIBITION TEXT<\/a><\/p>\n\n\n\n

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  • \"\"
    \"Paisagem-fuga\", Juliana Campos

    Mais Silva Gallery - Room 2, Porto (PT)
    2025<\/div>
    Fotografia: Filipe Braga
    Edi\u00e7\u00e3o: Juliana Campos<\/div> <\/div><\/div><\/div><\/li>\n
  • \"\"
    \"Paisagem-fuga\", Juliana Campos

    Mais Silva Gallery - Room 2, Porto (PT)
    2025<\/div>
    \u00a9 Filipe Braga<\/div> <\/div> <\/div><\/div><\/div><\/li>\n
  • \"\"
    \"Paisagem-fuga\", Juliana Campos

    Mais Silva Gallery - Room 2, Porto (PT)
    2025<\/div>
    \u00a9 Filipe Braga<\/div> <\/div> <\/div><\/div><\/div><\/li>\n
  • \"\"
    \"Paisagem-fuga\", Juliana Campos

    Mais Silva Gallery - Room 2, Porto (PT)
    2025<\/div>
    \u00a9 Filipe Braga<\/div> <\/div> <\/div><\/div><\/div><\/li>\n
  • \"\"
    \"Paisagem-fuga\", Juliana Campos

    Mais Silva Gallery - Room 2, Porto (PT)
    2025<\/div>
    \u00a9 Filipe Braga<\/div> <\/div> <\/div><\/div><\/div><\/li>\n
  • \"\"
    \"Paisagem-fuga\", Juliana Campos

    Mais Silva Gallery - Room 2, Porto (PT)
    2025<\/div>
    Fotografia: Filipe Braga
    Edi\u00e7\u00e3o: Juliana Campos<\/div> <\/div><\/div><\/div><\/li>\n <\/ul>\n <\/div>\n \n <\/div>\n<\/div>\n\n\n\n
    <\/div>\n\n\n\n

    EXHIBITED PIECES<\/p>\n\n\n\n

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    APOIO: FLAD – Funda\u00e7\u00e3o Luso-Americana Para o Desenvolvimento, Programa FLECHADA<\/p>\n<\/div>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"

    Paisagem-fugaPaulo \u00c1vila Imagina-se um jogo e, cedendo ao h\u00e1bito de supor que todo o jogo tem um come\u00e7o, toma-se, por […]<\/p>\n","protected":false},"author":261956866,"featured_media":3557,"parent":423,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center 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\u00c1vila Imagina-se um jogo e, cedendo ao h\u00e1bito de supor que todo o jogo tem um come\u00e7o, toma-se, por […]","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/PglIbe-QV","_links":{"self":[{"href":"https:\/\/maissilva.com\/en\/wp-json\/wp\/v2\/pages\/3281","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/maissilva.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/maissilva.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/maissilva.com\/en\/wp-json\/wp\/v2\/users\/261956866"}],"replies":[{"embeddable":true,"href":"https:\/\/maissilva.com\/en\/wp-json\/wp\/v2\/comments?post=3281"}],"version-history":[{"count":19,"href":"https:\/\/maissilva.com\/en\/wp-json\/wp\/v2\/pages\/3281\/revisions"}],"predecessor-version":[{"id":6361,"href":"https:\/\/maissilva.com\/en\/wp-json\/wp\/v2\/pages\/3281\/revisions\/6361"}],"up":[{"embeddable":true,"href":"https:\/\/maissilva.com\/en\/wp-json\/wp\/v2\/pages\/423"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/maissilva.com\/en\/wp-json\/wp\/v2\/media\/3557"}],"wp:attachment":[{"href":"https:\/\/maissilva.com\/en\/wp-json\/wp\/v2\/media?parent=3281"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}